
More info on the film can be obtained at The film premiered on October 29th with more screening dates to be announced shortly. This limited edition release of 300 CDs includes a 32-page booklet of stills and captions from the film to round off this experience in a nicely made package. There is a flavor of Mediterranean essence, wafting through the music the way the ocean sprays the coastline of this Italian island, following in the footsteps of the renowned English writer a century on. To mark the centenary of the journey, film director Daniele Marzeddu and his crew returned, to retrace these steps.” The score collects 19 vignettes and sound postcards (accumulating to over an hour of playtime) to augment the visuals with organic ambiance, field recordings, and echoes of classical music (as if played through a hi-fi victrola). His creative use of language and expression add colour to his reflections.

He produced a critically acclaimed travel novel called Sea and Sardinia, reflecting his observations as he traveled.

Lawrence set sail for Sardinia, joined by his wife Frieda. Here’s some background info about the project: “ In January 1921, some 100 hundred years ago, the renowned writer D.H. The music already appeared on the screen along with moving images directed by Federico Mattioni and a documentary by The Loners, and now, Whitelabrecs releases an official soundtrack for Return to Sea and Sardinia. don’t judge the album by its cover)Īs expected, an artist, who continues to remain anonymous behind the Glåsbird alias, has migrated from their slowly-evolving geographically-inspired blend of present classical and Scandinavian ambiance into compositions for film and documentaries. And although I would want a track like “Abandonment” to last for ten or twenty minutes, I guess that I will take three that Jonsson shared.
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And playing through Convergence one cannot help but feel “ the sensation of being trapped in your body without breath, but also of being trapped in parts of society with nowhere to turn to for help.” My only gripe with soundtracks and scores is that the pieces tend to be like teasers, so brief and packed full of emotion, which only leaves me wanting so much more. The overall incertitude is well expressed in sound. I think that he has captured all that feeling fully. “ It was important to me to musically try and capture the feeling of uncertainty and lack of resolution that we’ve all felt throughout the last year and a half,” says Jonsson of the score. Released by Air-Edel Records (a music company, a publishing house, and a recording studio), the score is for a film that follows nine individual stories of everyday lives across the world, as each deals with the onset of the pandemic. Until the strings pick up the storm and then we’re back on tracks, pursuing tension and suspense that’s got the heartbeat going. Then suddenly the clouds part and Patrick plays the piano, the melodies so lovely and so snug. The orchestration here is absolutely stunning, but it is also the deep bass and the forward pacing rhythm that absorbs me into its depths. That’s just as well since I’ve consumed this 47-minute release as a collection of seventeen distinct and punchy tracks, each covering a story through an intricate and always moving cinematic arc.


At first, a quick disclaimer: I know nothing about this documentary produced by Netflix, except what I have read online when trying to “research” the subject scored by Patrick Jonsson.
